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Chimes Explained: Features, Types and Tips

A primer on orchestral chimes — construction, sound character, technique and the role they play in orchestral and contemporary music.

Chimes Explained: Features, Types and Tips

Chimes — also known as tubular bells or orchestral bells — are among the most dramatic instruments in the percussion section. A set of long metal tubes hung vertically in a frame, struck with a rawhide or plastic mallet at the top to produce a resonant, bell-like tone, chimes create one of the most immediately recognisable sounds in orchestral music.

Construction

Orchestral chimes consist of a series of hollow steel or aluminium tubes, each tuned to a specific pitch by controlling the tube's length and diameter. A standard orchestral set of chimes covers one and a half octaves, from C4 to F5, with some extended sets reaching two octaves. The tubes are suspended in a frame on cords or pins; a sustain pedal connects to a damper bar that stops the natural ring of the tubes when pressed. The sound is produced by striking the top of the tube with a weighted mallet — usually rawhide — that transfers energy into the column of air inside, producing the characteristic bell-like tone.

Sound Character

The tone of chimes is complex — not a pure sine wave but a rich cluster of overtones that the ear perceives as a bell-like pitch. In an orchestral context, the instrument cuts through the full ensemble easily because of this overtone richness and natural sustain. Composers from Elgar to modern film scorers have used it for moments of solemnity, drama or supernatural atmosphere. The instrument's associations with bells — church bells in particular — give it a strong narrative quality that few other percussion instruments match.

Technique

Playing chimes at a basic level is technically accessible — the tubes are large and clearly marked, and the mallet technique is straightforward for anyone with general percussion experience. Advanced chimes technique involves managing the sustain pedal, producing clean attacks at all dynamic levels and navigating rapid passages between tubes that are spread across a wide frame. The instrument rewards precision; an imprecisely placed mallet strike produces a rattle rather than a clear tone. For buying guidance and recommendations at each price point, the complete buyer's guide to chimes covers what to look for.

Frequently Asked Questions

Frequently Asked Questions

What is the difference between tubular bells and orchestra bells?

The terms refer to the same instrument — the names are used interchangeably depending on region and context. In the UK and Europe, tubular bells is the most common term. In North America, orchestral bells or tubular bells are more often used. The instrument — vertically hung metal tubes struck with a mallet — is the same across all naming conventions.

How heavy is a full set?

A standard orchestral set weighs between 70 and 120 kilograms, depending on the number of tubes and the frame construction. Professional frames are built to be partially dismantled for transport, with the tubes stored in padded bags separately from the frame. Some manufacturers offer wheeled frames that allow the complete instrument to be rolled into position.

Can I tune the tubes?

No — the tubes are manufactured to precise pitch by controlling their length and diameter, and cannot be retuned in the field. If a tube becomes significantly out of tune through damage, it must be replaced. This is why professional instruments are treated carefully in transport and storage. Minor detuning from dents or damage is generally not correctable without tube replacement.

What is the sustain pedal for?

The sustain pedal connects to a damper bar that, when released (pedal up), allows the tubes to ring freely after being struck. When pressed, the damper bar contacts all tubes simultaneously and stops the ringing — similar in principle to the sustain pedal on a piano. In fast passages or when clean note separation is needed, the pedal is pressed. For atmospheric, sustained passages, it is left open.

Can one person manage the instrument?

Yes — one percussionist handles the instrument in standard orchestral settings. The player manages both the mallet technique and the sustain pedal simultaneously. For passages requiring rapid movement across the full range of the frame, some percussion sections will use two players for particularly demanding parts, though this is uncommon.

About Katie Anderson

Katie learned the ropes mixing bands in Southampton's pubs and clubs, a port city used to a steady churn of touring acts. Years behind the desk gave her a practical, no-nonsense understanding of how live sound actually works. She writes about PA, live sound and stage gear.

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